I Want To Be A Roitfeld

Kellina de Boer
EDITOR-IN-CHIEF

Dara Block
STYLE EDITOR

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Jessica Eritou
Renee Hernandez
Bernie Rothschild

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Mademoiselle C

Mademoiselle C (2013)
Directed by Fabien Constant

IWTB Interview:
Fabien Constant

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carine roitfeld: irreverent
THE LITTLE BLACK JACKET

I Want To Be An Alt

I Want To Be A Coppola

I Want To Be A Battaglia

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vendredi
sept.132013

Introducing… Sarra Salib, Contributing Editor

I am thrilled to introduce the latest member of the IWTBAR team — Sarra Salib, contributing editor! You may remember Sarra's passionate essay "Carine Roitfeld: The One and Only," which won the first ever contest hosted on IWTBAR, or her eloquent review of The Little Black Jacket. I look forward to Sarra sharing her thoughts with all of us through these pages, please take a moment to welcome her to the editorial team.

Sarra Salib
Contributing Editor

Hello to all the amazing readers of IWTB!

My name is Sarra (yes, that’s right, it’s two R’s...), and I was born and raised in Egypt. My family moved to California when I was 11 years old, and I’ve been living the California Dreamin’ ever since. Although I spoke no word of English when I moved here, it came so naturally to me that I now consider it my first language. After finishing high school with valedictorian honors, I journeyed on to UCLA for two years, but decided once and for all to return to the most beauteous San Diego.

These events have added up to influence me as an individual in ways I cannot express, but the most influential person so far has been Carine Roitfeld. Through her, I discovered the beauty and functionality of minimalism, the true meaning of style, and the fact that fashion should be seen as art and not be taken so seriously sometimes.

I am so inexplicably thrilled to be part of the team, and I hope to write my best to show my love for everything fashion, Parisian, and Carine!

All my thanks, and let’s shine on you crazy diamonds!

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Sarra Salib photograph © 2013 Sarra Salib. All Rights Reserved

vendredi
sept.132013

The Roitfelds At Novak Djokovic Foundation Dinner

The second annual dinner to benefit the Novak Djokovic Foundation attracted fans of both tennis and fashion and especially radiant among the guests was Julia Restoin Roitfeld in a black lace gown by Peter Dundas for Pucci. Her YSL clutch is the perfect finishing touch to her sexy and elegant look. Speaking of sexy, the new haircut that Vladimir is sporting is très chic, I love this look for him.

Hosted by Novak Djokovic and Jelena Ristic at Capitale in Manhattan, the charitable evening amounted to $2.5 million raised by the foundation dedicated to the deprived children of Serbia, the country torn by war in which the world-ranked tennis player grew up. Other supporters seen that evening amidst the tennis-inspired decor were Princess Eugenie of York, John McEnroe, Naomi Campbell, Karolina Kurkova, Molly Sims, Jimmy Connors, Kevin Spacey, Lapo Elkan, Candice Swanepoel, Ricky Gervais, Goldie Hawn, Dree Hemingway, Dee and Tommy Hilfiger, Olivia Palermo, Joan Smalls, and Donna Karan.

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Julia and Vladimir Restoin Roitfeld photographs © 2013 Condé Nast and Getty Images.

mercredi
sept.112013

Introducing… Jascmeen Bush, Contributing Editor

Mesdames et messieurs, it is my pleasure to present the newest member of the team at I Want To Be A RoitfeldJascmeen Bush, contributing editor! Jascmeen is a talented fashion writer who will share her humor, her style, and her respect for Carine Roitfeld through these pages. Please join me in warmly welcoming Jascmeen!

Jascmeen Bush
Contributing Editor

Hello all!

I'm Jascmeen, a fashion writer living in Los Angeles. I'm so excited to celebrate Carine with you all, this woman is responsible for turning my multicolored wardrobe into solid black and I'm not afraid to say that after previewing the Mademoiselle C documentary, I toyed with a faux French accent (tried and failed, but this is what Carine does to meeee!)

I hope you all enjoy my posts and come to love my sense of humor. Tuck in that blouse (gently) and zip up your pencil skirts, guys, this is gonna be fun!

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Jascmeen Bush photograph © 2013 Jascmeen Bush. All Rights Reserved

mardi
sept.102013

IWTB Interview: Fabien Constant

Dear readers, on the eve of the release of Mademoiselle C., the film documenting the life and the work of Carine Roitfeld, I had the pleasure of asking a few questions of the director, Fabien Constant, and I am delighted to share with you his answers. Also, I took the photograph of Fabien that leads off the interview but most of the others are plucked without permission from Monsieur Constant's Instagram account, I hope he won't mind, the images perfectly illustrate his humorous and laid-back approach to life. Merci mille fois, Fabien, bravo !

Sunset in the city where I was born

Tell us about your background. Where did you grow up? Which schools did you attend? How did you prepare for the work you do?
I'm from the southwest of France, Périgord, a countryside full of wine and foie gras not far from Bordeaux. I was not supposed to be in Paris and doing films but I was a movie lover from my youngest age so I moved to Paris after my graduation to do some movie studies. And I've been a movie journalist for many years before. I've moved into fashion, too. I've done a few documentaries, mainly as a producer: "Marc Jacobs and Louis Vuitton" or the tv series "The Day Before." I've also directed a lot of videos and a few of them with Carine such as her Vogue Bal or her vampire party or some Vogue Fashion Night Out documentaries or "The Client," a short doc for W mag.

This film is your first full-length feature but you have worked on other short pieces including "The Client" with Carine Roitfeld. How did you decide that Mademoiselle C was the film you should make? How did you convince Carine Roitfeld to give you such incredible access to her work and her life?
The videos that I have just mentioned have created a kind of a link between Carine and I and a kind of "trust" relationship. Trust in the tone I have, the step back I have, but also the humor or the vision of fashion I can have. And finally trust in tastes. So when I told her I wanted to tell the full story of CR Fashion Book, she just said yes. In two seconds.

Do you consider yourself a fan of Carine Roitfeld? When did you begin to follow her? Do you collect her work, such as Vogue Paris, CR Fashion Book, and Irreverent?
I've never been a collector of anything about Carine except the enormous respect that I have about her work. She has changed fashion in the 90s. She brings dream to the readers and the fashion lovers, through a strong and personal vision. And all her pictures have always a great sense of humour, sometimes in a tiny, tiny detail, but it's always there.

The mustang is thirsty (Wrightsville Beach, North Carolina)

I love the music that you chose to score Mademoiselle C, how did you pick the songs?
I'm obsessed with music so it took me time to find the group as eclectic as I wanted to be. I've always loved the music from The Shoes, their first album was a firework of energy and different styles that I love. And I loved the video clip they did with Jake Gyllenhaal last year for their hit "Time to Dance." So I couldn't be happier when they said yes to me. But I've also worked very hard on some additional music to find the moods and spirits (sometime religious, sometimes funny) I wanted to have.

What are your favorite moments in Mademoiselle C? Did your personal favorites translate into the film? I have read that Carine did not ask to approve your final cut. Did she offer any input as to the direction of the film? Did she advise on the promotional materials?
My favorite moment in the movie is the dance sequence, in her Parisian flat, at 7 a.m. in the morning. This sequence describe the real Carine for me, grace comes with work, beauty doesn't show suffering. And yes I've been the one in charge of every aspect of the moment. Carine saw it first, for sure, but she was not involved in the creative process nor any editing decision. She likes to say that she gave me as much freedom as she expects to have when she is doing her pictures.

Having spent so much time with Carine Roitfeld, perhaps you saw her eat at some point. Would you be comfortable divulging any details about her nutritional choices? Glancing into her refrigerator, what might we see?
As a real French woman Carine really enjoys to eat. That's our secret: enjoy what you eat and you won't get fat. We have been to a crazy Japanese restaurant last night, she had everything from sushi to lamb... and always have a spoon to steal some of your dessert.

Did you ever peek over Carine's shoulder and catch her checking IWTBAR? ;-) Or any favorite sites?
I can tell she has an eye on IWTBAR sometimes, she respects your work. But most of the time her relationship with things about her on the internet comes from the people around her showing her things. As she says, she doesn't Google herself every morning.

Carine Roitfeld, Miranda Kerr, Fabien Constant

I have read that you edited your final cut of Mademoiselle C from 220 hours of footage gleaned while following Carine Roitfeld. What will happen to the unseen 218 hours?
It's gone forever. :) Sad and beautiful in the same times. But you'll have 35 minutes of deleted scenes in the DVDs.

What will you do next?
I'm working on tons of different projects but to be honest the Mademoiselle C world tour, as I like to call it for fun, takes all of my time right now.

Now that the project has concluded, do you miss following Carine?
I do spend a lot of time with her for the promotion. But I can tell that we have a good connection, and a lot of fun together, so we might do something else together in the future. I would love to. But in a very practical way, you can also watch the behind the scene video I've done of her very powerful shoot with Karl Lagerfeld and Riccardo Tisci and the beyond controversial Kim Kardashian. It was a crazy night. Or you can read my interview of J.W. Anderson in the new CR Fashion Book issue. You see, we are already working together again, just on different platforms.

Fabien Constant, Kanye West, Carine Roitfeld

Who are your role models? Top Ten list of favorite music? Films? Books?
My production company is called TarkovsPop, because I love Tarkovsky, this very talented and demanding Russian director but also Rihanna or Katy Perry. I hate churches. I like to put on the same level a very demanding old film from the French New Wave and an amazingly well done blockbuster as Mission Impossible 4. It's what my world is made of.

What advice do you have for an aspiring film director?
To have no fear and not listen to advices. If you feel you have a story to tell, go for it.

Follow Fabien Constant on Instagram and Twitter

#pimp #fayedunawaystyle (Delano South Beach, Florida)

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Fabien Contstant photos © 2012 Kellina de Boer and courtesy of instagram.com/fabienconstant and purple.fr

vendredi
sept.062013

Vogue Paris August 2004: China Charm

Vogue Paris August 2004: China Charm
By Jessica Eritou

The childlike, delicate elements to "China Charm" in Vogue Paris provide a tranquil motif throughout the editorial. Shot by Craig McDean and styled by Carine Roitfeld herself, this 2004 editorial features Gemma Ward, one of fashion's most missed models till this day. This was a smart move for Vogue Paris to cast Ward as the model because of her soft, delicate features which complement the shoot effortlessly.

However, the shoot tends to fall flat. There is a fine line between cultural appropriation where instead the art becomes a stereotype but the editorial seems to be quite distant from the title itself. Most of the clothes featured Italian designers like Gucci and Dolce & Gabbana. The poses are somewhat predictable and short-lived, yet the reader gets a sense of what Carine Roitfeld was trying to embellish with this shoot. Each of the selected garments were beautifully crafted clothes, yet too high of contrast to grasp the details of the garment.

The first shot captures Ward in a very delicate, overly feminine position showcasing her figure. Her jacket features an Asian inspired Mandarin collared top with nothing on underneath. This is paired with a dark, lush, restrictive wiggle skirt. Underneath are patterned leggings with something you might see on a teapot.

The second shot looks more like an advertisement for the Sony camera featured throughout “China Charm.” This is a very stunning, powerful shot of Ward, but the composition of the shot and the placement of the camera is all the reader can grasp.

A great and successful shot features Gemma Ward in the black, shiny, sleeveless full-length ball gown. Convincingly, this shot does not showcase any of the themes in this editorial nor the title of it, yet it is so simple and profound. Ward is used as a model without any connotations, just simply for fashion.

Another highlight in this shoot was of Ward looking stunning in all red, paired with a beautiful T-strap sandal. There is a story behind this shot, this work now has the reader intrigued as to what is going on due to her body language and pose. Her lavender hair is in harmony with her, perhaps, painted on socks, or hosiery. This is complementary with the hue of the red fur cropped cape and the body-con silk dress. Although each garment is the same hue, the textures contrast wonderfully for this shot.

Gemma Ward is featured in a gorgeous Alexander McQueen dress which artistically combines in every element from the minimalist background she is shot against, to her lavender streaked hair, to the flowers featured on the dress. The Sony camera appears again but used quietly as an accessory and not in the foreground this time. The reader is able to grasp the simplicity and the delicacy of Gemma Ward and the dress with tranquility.

Perhaps the best shot is a close up of Ward in a textured jacket featured a side zipper, holding on to the camera, while she has a simple hair accessory at the top of her crown of hair. There is such a strong emotional sense the viewer can get from this shot. Finally, there is a story to be said. We wonder what is she thinking, why is she positioned that way.

Perhaps simplicity and purity was the goal to this shoot, but overall could have gone much further with more depth to the storyline behind each photograph. Only a select few images grasp the reader's attention as to what is going on in the model's head or the shot itself. The clothing selected is beautiful, but nonetheless I wish Roitfeld and McDean pushed much harder for this editorial. Instead, it leaves a relatively safe feeling, knowing how much more it could have been with their potential.

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Vogue Paris editorial image © 2004 Condé Nast. All Rights Reserved.